- Material Ceramic
- Use Indoor
- Style Minimalist
- Care Hand wash
Made by pressing ink directly onto paper from the cross-section of a fallen New Hampshire ash tree, this print captures what no illustration could replicate — the actual topography of a life lived in wood. The concentric rings read outward from a quiet center, each one a season recorded in fiber and growth. The ink sits with a slight texture you can nearly feel, the bark edge ragged and honest at the perimeter, the whole image occupying the paper with a settled, unhurried authority.
Because each print is pulled by hand from a specific piece of wood, no two impressions are identical — ink distribution, edge definition, and tonal depth will vary naturally from one to the next.
Shipping calculated at checkout.
30-day returns on unused pieces.
The Story
Made by pressing ink directly onto paper from the cross-section of a fallen New Hampshire ash tree, this print captures what no illustration could replicate — the actual topography of a life lived in wood. The concentric rings read outward from a quiet center, each one a season recorded in fiber and growth. The ink sits with a slight texture you can nearly feel, the bark edge ragged and honest at the perimeter, the whole image occupying the paper with a settled, unhurried authority.
Because each print is pulled by hand from a specific piece of wood, no two impressions are identical — ink distribution, edge definition, and tonal depth will vary naturally from one to the next.
Details & Materials
Dimensions
Care
Shipping & Returns
Shipping calculated at checkout.
30-day returns on unused pieces.
A print that deepens the longer you look
The bark edge softens in your eye over time; the rings, once counted casually, begin to hold specific meaning — drought years, wet seasons, decades that narrow or widen with quiet insistence.
