Each frame is built on a pine MDF backing and faced with hand-laid bone and resin inlay — pieces set one by one into a repeating Moroccan quatrefoil lattice that reads as cream and charcoal from across a room. Up close, the surface has the quiet irregularity of work done by hand: slight tonal shifts in the bone, the faint texture of each inlaid segment. An ultra-clear plexiglass front keeps the image unobstructed. Available in nine sizes, it hangs flat against the wall or stands on a ledge equally well.
Because each frame is assembled by hand, the inlay pattern may shift slightly at the corners — a mark of the making process, not a flaw.
Shipping calculated at checkout.
30-day returns on unused pieces.
The Story
Each frame is built on a pine MDF backing and faced with hand-laid bone and resin inlay — pieces set one by one into a repeating Moroccan quatrefoil lattice that reads as cream and charcoal from across a room. Up close, the surface has the quiet irregularity of work done by hand: slight tonal shifts in the bone, the faint texture of each inlaid segment. An ultra-clear plexiglass front keeps the image unobstructed. Available in nine sizes, it hangs flat against the wall or stands on a ledge equally well.
Because each frame is assembled by hand, the inlay pattern may shift slightly at the corners — a mark of the making process, not a flaw.
Details & Materials
Dimensions
Care
Shipping & Returns
Shipping calculated at checkout.
30-day returns on unused pieces.
The frame that earns a second look from guests
You slide a print in, hang it on the wall, and step back — and suddenly it's the inlay they're asking about, not the photo. The lattice catches the afternoon light in a way a plain frame never would.
