The cover is cut from a cotton-blend fabric in a warm blush ground — the kind of pink that reads almost neutral in morning light and deepens to something richer by lamplight. Cranes move across the surface in white and ink, their wingspans unhurried, drawn in a style that borrows from traditional East Asian ink painting. The lumbar format keeps the print contained without overwhelming a layered bed or a sofa already working hard. Cover is removable for washing, with a clean hidden closure at the back.