Shaped from stoneware and finished in a matte glaze, this tall bottle-form vase carries a quiet authority — wide at the base, narrowing through the shoulder into a slender neck that draws the eye upward. The surface reads as chalky to the touch, neither slick nor coarse, somewhere between raw clay and finished ceramic. At just over twenty inches, it holds its own on a mantle, entry table, or beside a window where the light can settle across its curves.
As with all handmade stoneware, slight variations in glaze tone and form are part of the work — each piece shaped individually, which means no two are quite the same.
Shipping calculated at checkout.
30-day returns on unused pieces.
The Story
Shaped from stoneware and finished in a matte glaze, this tall bottle-form vase carries a quiet authority — wide at the base, narrowing through the shoulder into a slender neck that draws the eye upward. The surface reads as chalky to the touch, neither slick nor coarse, somewhere between raw clay and finished ceramic. At just over twenty inches, it holds its own on a mantle, entry table, or beside a window where the light can settle across its curves.
As with all handmade stoneware, slight variations in glaze tone and form are part of the work — each piece shaped individually, which means no two are quite the same.
Details & Materials
Dimensions
Care
Shipping & Returns
Shipping calculated at checkout.
30-day returns on unused pieces.
One tall vase, one stem, done
A single eucalyptus branch dropped into the neck, the winter light coming through the window — that is all this vase needs. It holds the room without asking for anything else.
